Liturgical Drama (10th to 14th Century)
Definition & Origin
·
Liturgical Drama refers to
religious plays performed as part of the Christian liturgy (public worship) in
the medieval Church, primarily between the 10th and
14th centuries.
·
Originated in Latin Church rituals,
especially during important Christian feasts like Easter and Christmas.
·
Purpose: To teach Christian
doctrine to an illiterate populace through dramatized biblical events.
Development of Liturgical Drama
1. Early
Stages (10th Century):
o
Performed inside churches.
o
Used Latin and musical chants.
o
Example: Quem Quaeritis ("Whom do
you seek?") trope performed at Easter—considered the first liturgical
play.
2. Later
Development (11th–12th Century):
o
Expanded from brief dialogues to elaborate
dramas.
o
Incorporated costumes and symbolic actions.
o
Gradually moved outside the church
due to increasing complexity and space needs.
3. Transition
to Vernacular Drama (13th–14th Century):
o
Language shifted from Latin to vernaculars
(Middle English, French, etc.).
o
Lay performers and guilds took over, making it more
theatrical and popular.
o
Paved the way for Mystery and Miracle
plays.
Types of Religious Drama
1. Mystery Plays
·
Definition: Dramatizations of biblical
stories, from Creation to the Last Judgment.
·
"Mystery" from Latin ministerium
meaning “occupation”—linked to guilds who sponsored the plays.
·
Structure: Often performed as cycles
during festivals like Corpus Christi.
·
Language: Vernacular,
accessible to common people.
·
Purpose: Didactic and
devotional; to present salvation history.
2. Miracle Plays
·
Focus on lives of saints and miraculous
events.
·
Often featured martyrdoms,
healing, or interventions by saints.
·
Example: The Play of St. Nicholas (by
Hilarius), and The Conversion of Saint Paul.
·
Less structured than mystery plays but equally
popular.
Famous English Cycle Plays
Liturgical drama flourished into Cycle Plays—a series of
plays performed sequentially to cover biblical history. These were typically
produced by craft guilds in medieval towns.
1. York Cycle
·
Comprises 48 plays (surviving
manuscript).
·
Dates from 14th–15th century.
·
Performed in York, during Corpus
Christi festival.
·
Structure: Each play handled by
a different guild.
·
Notable Plays:
o
The Fall of Lucifer
o
The Nativity
o
The Crucifixion
o
The Last Judgment
·
Tone: Reverent, theological, often complex in
structure.
2. Wakefield Cycle
(Towneley Plays)
·
Associated with Wakefield, Yorkshire.
·
Includes 32 plays, many of them
sophisticated and vivid.
·
Known for the "Wakefield
Master", an anonymous playwright known for:
o
Humor, satire, and verse
experimentation.
o
Use of "Wakefield Stanza"
(rhymed 13-line stanza: aaabababcdddc).
·
Notable Plays:
o
The Second Shepherds’ Play (a
masterpiece of medieval drama blending comedy with Nativity theme).
o
Cain and Abel
3. Chester Cycle
·
Comprises 24 plays.
·
Dates from late 14th to early 15th
century.
·
Performed in Chester during
Corpus Christi.
·
Known for didactic tone and moral
clarity.
·
Notable Plays:
o
The Fall of Man
o
Noah's Flood
o
The Harrowing of Hell
·
Focus on moral instruction and Christian
doctrine.
4. Coventry Cycle
· Famous for The Shearmen and Tailors’ Play.
·
Contains notable Nativity and Passion scenes.
·
Often studied alongside other cycles for
comparative purposes.
Themes and Features
Feature |
Description |
Religious Didacticism |
Taught Bible stories and Christian values to the common
people. |
Use of Vernacular |
Shifted from Latin to English/French, increasing
accessibility. |
Guild Sponsorship |
Each craft guild performed plays related to their
profession (e.g., Shipwrights performed Noah's Ark). |
Pageant Wagons |
Movable stages used to present plays at multiple locations
in the town. |
Allegorical Elements |
Combined biblical events with moral lessons; characters
often represented abstract virtues or vices. |
Combination of Sacred & Secular |
Infused with comic interludes, local color, and folk
traditions. |
Significance of Liturgical and Cycle Drama in English Literature
·
Foundation of English Drama:
Precursor to morality plays (like Everyman) and later Elizabethan
drama (like Shakespeare).
·
Social and Theological Record:
Offers insight into medieval worldview, cosmology, and cultural values.
·
Artistic Innovation: Developed
early forms of plot structure, characterization, and staging.
·
UGC NET Perspective: Frequently
appears under Middle English Literature, Drama,
Theatre History, and Comparative Literature
topics.
Important UGC NET Pointers
·
Know the difference between Mystery,
Miracle, and Morality plays.
·
Recognize specific plays and
their associated cycles.
·
Understand how guilds, vernacular
use, and religious festivals shaped medieval drama.
·
Be aware of the Wakefield Master
and his literary contributions.
·
Remember that Cycle Plays aimed
to educate and entertain simultaneously.
Multiple Choice Questions
Section A:
Liturgical Drama (10 MCQs)
- Liturgical drama originated in which setting?
A. Marketplace
B. Church
C. Public square
D. Royal court
Answer: B. Church - The earliest form of liturgical drama was
performed in which language?
A. French
B. German
C. Latin
D. English
Answer: C. Latin - Which of the following is a characteristic of
liturgical drama?
A. Secular themes
B. Performed in vernacular
C. Use of elaborate scenery
D. Based on biblical stories and liturgy
Answer: D. Based on biblical stories and liturgy - The phrase "Quem Quaeritis" is
associated with which genre?
A. Morality play
B. Miracle play
C. Liturgical drama
D. Mystery play
Answer: C. Liturgical drama - What does "Quem Quaeritis" mean?
A. What is truth?
B. Whom do you seek?
C. Who is the Lord?
D. Where are you going?
Answer: B. Whom do you seek? - Which festival originally featured the
performance of early liturgical drama?
A. Christmas
B. Easter
C. Pentecost
D. Lent
Answer: B. Easter - What was the main purpose of liturgical drama
in the Middle Ages?
A. Entertainment
B. Political commentary
C. Religious instruction
D. Cultural satire
Answer: C. Religious instruction - Which of the following best describes the movement
of liturgical drama out of the church?
A. Clerical reform
B. Vernacularization and secularization
C. Introduction of morality plays
D. Loss of ecclesiastical control
Answer: B. Vernacularization and secularization - Which of the following is NOT a feature of
liturgical drama?
A. Sung dialogues
B. Clergy as performers
C. Performed during Mass
D. Use of printed scripts
Answer: D. Use of printed scripts - Liturgical drama gradually evolved into which
type of plays?
A. Roman comedies
B. Miracle and Mystery plays
C. Interludes
D. Tragedies
Answer: B. Miracle and Mystery plays
Section B:
Types of Religious Drama (8 MCQs)
- Which of the following plays focuses on the
lives and miracles of saints?
A. Mystery plays
B. Miracle plays
C. Morality plays
D. Interludes
Answer: B. Miracle plays - Which religious plays dramatize biblical
stories from the Creation to the Last Judgment?
A. Mystery plays
B. Miracle plays
C. Morality plays
D. Interludes
Answer: A. Mystery plays - Morality plays differ from mystery plays in
that they—
A. Use biblical characters only
B. Employ allegorical figures
C. Are written in Latin
D. Are acted by priests
Answer: B. Employ allegorical figures - Who is a common central character in morality
plays?
A. Everyman
B. Judas
C. Abraham
D. Beowulf
Answer: A. Everyman - Which of the following is NOT a feature of
morality plays?
A. Characters represent virtues and vices
B. Didactic message
C. Based on saints’ lives
D. Personification of abstract ideas
Answer: C. Based on saints’ lives - The vice character is mostly associated with—
A. Miracle plays
B. Mystery plays
C. Morality plays
D. Farce
Answer: C. Morality plays - Which type of religious drama is usually
considered the earliest in the English tradition?
A. Mystery
B. Morality
C. Miracle
D. Liturgical
Answer: D. Liturgical - The focus of morality plays is mainly on—
A. Religious ceremonies
B. Biblical episodes
C. Individual moral journey
D. Lives of martyrs
Answer: C. Individual moral journey
Section C:
Famous Cycle Plays (6 MCQs)
- Which of the following is a well-known cycle
of mystery plays in England?
A. Chester Cycle
B. Marlowe Cycle
C. Shakespeare Cycle
D. Canterbury Cycle
Answer: A. Chester Cycle - The Wakefield Cycle is also known for—
A. The Harrowing of Hell
B. The Second Shepherds’ Play
C. The Passion Play
D. The Resurrection of Lazarus
Answer: B. The Second Shepherds’ Play - How many cycles of mystery plays are known to
have existed in England?
A. 2
B. 3
C. 4
D. 5
Answer: C. 4 (York, Chester, Wakefield, and N-Town) - The York Cycle contains how many pageants?
A. 24
B. 48
C. 56
D. 72
Answer: B. 48 - The cycle plays were performed during which
festival?
A. Lent
B. Easter
C. Corpus Christi
D. Christmas
Answer: C. Corpus Christi - What is the major theme of most cycle plays?
A. Chivalric romance
B. Pagan rituals
C. Salvation history from Creation to Last Judgment
D. Satirical humour
Answer: C. Salvation history from Creation to Last Judgment
Section D:
Previous Year UGC-NET MCQs (4 MCQs)
- UGC NET (June 2016)
Which one of the following plays is an example of a mystery play?
A. Everyman
B. The Second Shepherds’ Play
C. The Castle of Perseverance
D. Doctor Faustus
Answer: B. The Second Shepherds’ Play - UGC NET (December 2018)
Which of the following is NOT a medieval religious drama?
A. Morality Play
B. Mystery Play
C. Interlude
D. Miracle Play
Answer: C. Interlude - UGC NET (June 2019)
The character “Everyman” is an example of which of the following?
A. Allegorical figure
B. Biblical prophet
C. Martyr
D. Angelic being
Answer: A. Allegorical figure - UGC NET (June 2023)
The York and Chester Cycles are related to—
A. Secular Renaissance drama
B. Elizabethan revenge tragedy
C. Liturgical calendar
D. Mystery plays
Answer: D. Mystery plays
No comments:
Post a Comment