Morality Plays & Allegory (UGC NET Unit I - Drama), PYQs & MCQs

 

Morality Plays and Allegory

Introduction

The medieval period of English drama is characterized by its religious foundations and didactic purposes. Among the various forms of early drama, Morality Plays hold a significant position due to their use of allegory to convey Christian ethics and moral lessons. While evolving from Liturgical and Mystery Plays, morality plays represent a transition from strictly Biblical representations to more abstract, symbolic explorations of good and evil within the human soul. These plays are crucial for understanding the development of character, symbolism, and thematic complexity in English drama.

1. Origin and Historical Background

Morality plays flourished in Europe between the 14th and 16th centuries, particularly in England during the 15th century. Rooted in Christian theology, they emerged as a response to the Church’s effort to educate the largely illiterate population through engaging theatrical performances.

·         The genre evolved from religious sermons, Biblical pageants, and didactic traditions of the Church.

·         As opposed to Miracle and Mystery plays (which dramatized the lives of saints or Bible stories), morality plays featured fictional protagonists representing Everyman—an archetype of the common human being.

2. Features of Morality Plays

a. Didactic Purpose

The core function was moral instruction—teaching the audience how to live a virtuous life and avoid sin. The overarching theme was the salvation of the soul.

b. Use of Allegory

Allegory is the defining element of morality plays. Abstract qualities such as Virtue, Vice, Death, Knowledge, Good Deeds, and the Seven Deadly Sins were personified and brought to the stage.

c. Psychological Drama

They often dramatize the inner conflict of the soul, focusing on the choices an individual must make between good and evil.

d. Symbolism

Characters, settings, and actions were symbolic representations. For instance, the journey of the protagonist often symbolized the journey of life toward death and judgment.

e. Universality

The protagonist usually represented Everyman, making the lessons applicable to all individuals regardless of social or economic class.

3. Structure of Morality Plays

The typical morality play follows a chronological and spiritual journey:

1.      Introduction of the protagonist (often called Everyman, Mankind, or Humanum Genus).

2.      Temptation and fall into sin via encounters with characters representing vices or worldly distractions.

3.      Realization and repentance, often aided by allegorical figures like Good Deeds or Knowledge.

4.      Final judgment, usually death, where the protagonist’s fate is determined based on his actions.

4. Famous Morality Plays

i. Everyman (Anonymous)

·         The most famous morality play, likely written in the late 15th century.

·         Explores the inevitability of death and the need for spiritual readiness.

·         Major allegorical characters: Everyman, Death, Fellowship, Goods, Good Deeds, Knowledge, Confession.

·         Theme: Only Good Deeds accompanies a person after death.

ii. Mankind (Anonymous)

·         A more comic and energetic play, often featuring humorous vice characters.

·         Illustrates the struggle of a Christian man against temptation.

·         Demonstrates the balance between entertainment and didacticism.

iii. The Castle of Perseverance (c. 1425)

·         One of the earliest complete morality plays.

·         Set in a symbolic castle, it represents the human soul’s battle between good and evil over a lifetime.

5. Allegory: Concept and Significance

Definition

Allegory is a narrative technique in which characters, settings, and events symbolize abstract ideas or moral qualities.

Functions in Morality Plays

·         Makes complex theological ideas accessible to lay audiences.

·         Creates a multi-layered meaning—literal and metaphorical.

·         Enhances the emotional and spiritual engagement of the audience.

Literary Importance

·         Allegory paved the way for later literary traditions, including:

o    The Faerie Queene by Edmund Spenser

o    Pilgrim’s Progress by John Bunyan

·         Prefigures modern psychological and existential drama where internal dilemmas are externalized through dramatic form.

6. Legacy and Transition

Morality plays declined with the rise of Renaissance Humanism and secular theatre, especially after the emergence of the Interludes and Elizabethan drama.

However, their legacy remains in:

·         The symbolic characterization seen in works by Shakespeare and Marlowe.

·         The moral questioning and inner conflict central to modern drama.

·         The thematic influence in 20th-century existential plays, such as Beckett’s Waiting for Godot and T.S. Eliot’s Murder in the Cathedral.

7. Relevance to UGC NET

Understanding morality plays is essential for:

·         Tracing the development of English drama from religious to secular.

·         Appreciating the interplay of literature, theology, and philosophy.

·         Examining how allegory informs structure and characterisation.

·         Analyzing the didactic function of early literature.

UGC NET aspirants should be able to:

·         Compare morality plays with miracle/mystery plays.

·         Identify the function of allegory.

·         Contextualize morality plays within medieval religious and cultural life.

·         Draw parallels with later dramatic and literary forms.

Conclusion

Morality plays represent a vital moment in the evolution of English drama, where theatre served both spiritual edification and public entertainment. Their use of allegory to explore the eternal battle between virtue and vice offers enduring insights into human nature. For students and scholars, especially those preparing for the UGC NET English exam, these plays offer a foundation for understanding how drama evolved as a literary form, influencing both content and structure of later dramatic traditions.

I. PREVIOUS YEAR UGC NET QUESTIONS 

1. Which of the following is a famous morality play?

(UGC NET – 2015)
A. The Wakefield Second Shepherds' Play
B. Everyman
C. The Mystery of Adam
D. Noah’s Flood

Answer: B. Everyman

2. In the play Everyman, who finally accompanies Everyman to the grave?

(UGC NET – 2013)
A. Fellowship
B. Knowledge
C. Good Deeds
D. Beauty

Answer: C. Good Deeds

3. Morality plays are chiefly characterized by:

(UGC NET – 2018)
A. Realistic representation of human life
B. Biblical dramatizations
C. Allegorical characters representing moral qualities
D. Historical figures in conflict

Answer: C. Allegorical characters representing moral qualities

4. Which of the following is NOT a morality play?

A. Everyman
B. Mankind
C. The Castle of Perseverance
D. Doctor Faustus

Answer: D. Doctor Faustus
(Doctor Faustus is a Renaissance tragedy influenced by morality elements but not a morality play in the strict sense.)

II. Newly Framed MCQs for Practice

5. What is the primary theme of morality plays?

A. The struggle for political power
B. The journey of the soul toward salvation
C. Romantic entanglements of nobility
D. Satirical depiction of society

Answer: B. The journey of the soul toward salvation

6. In morality plays, the central character often represents:

A. A saint or biblical figure
B. The monarch
C. An abstract idea
D. Everyman or humanity as a whole

Answer: D. Everyman or humanity as a whole

7. The vice character in morality plays was primarily meant to:

A. Teach legal doctrines
B. Provide comic relief and temptation
C. Represent historical villains
D. Narrate the plot

Answer: B. Provide comic relief and temptation

8. Which of the following best defines allegory?

A. A narrative using regional dialect
B. A story with one literal and one symbolic meaning
C. A historical retelling of factual events
D. A dialogue-heavy dramatic form

Answer: B. A story with one literal and one symbolic meaning

9. Which play is considered the earliest complete extant morality play?

A. Mankind
B. Everyman
C. The Castle of Perseverance
D. The Pride of Life

Answer: C. The Castle of Perseverance

10. The structure of morality plays typically follows:

A. Political rise and fall
B. Conversion and fall of a religious figure
C. Temptation, fall, repentance, and salvation
D. Satirical commentary on society

Answer: C. Temptation, fall, repentance, and salvation

11. The character ‘Knowledge’ in Everyman plays what role?

A. Judge
B. Guide toward salvation
C. Tempter
D. Comic relief

Answer: B. Guide toward salvation

12. Allegory as a literary device is primarily used to:

A. Entertain through suspense
B. Reveal hidden meanings through symbolic characters and events
C. Present a straightforward narrative
D. Showcase historical truths

Answer: B. Reveal hidden meanings through symbolic characters and events

13. Which of the following Renaissance plays draws heavily from the tradition of morality plays?

A. The Spanish Tragedy
B. Doctor Faustus
C. The Duchess of Malfi
D. Tamburlaine the Great

Answer: B. Doctor Faustus

14. What feature distinguishes morality plays from mystery plays?

A. Use of Latin
B. Biblical events
C. Allegorical characters and universal themes
D. Satirical tone

Answer: C. Allegorical characters and universal themes

15. In morality plays, the ultimate concern is with:

A. Justice and legal reformation
B. Human comedy and irony
C. The fate of the soul and life after death
D. Class-based conflicts

Answer: C. The fate of the soul and life after death

Unit I Drama (Liturgical Drama, Religious Plays, Famous Cycle Plays & MCQs)

 

Liturgical Drama (10th to 14th Century)

Definition & Origin

·         Liturgical Drama refers to religious plays performed as part of the Christian liturgy (public worship) in the medieval Church, primarily between the 10th and 14th centuries.

·         Originated in Latin Church rituals, especially during important Christian feasts like Easter and Christmas.

·         Purpose: To teach Christian doctrine to an illiterate populace through dramatized biblical events.

 Development of Liturgical Drama

1.      Early Stages (10th Century):

o    Performed inside churches.

o    Used Latin and musical chants.

o    Example: Quem Quaeritis ("Whom do you seek?") trope performed at Easter—considered the first liturgical play.

2.      Later Development (11th–12th Century):

o    Expanded from brief dialogues to elaborate dramas.

o    Incorporated costumes and symbolic actions.

o    Gradually moved outside the church due to increasing complexity and space needs.

3.      Transition to Vernacular Drama (13th–14th Century):

o    Language shifted from Latin to vernaculars (Middle English, French, etc.).

o    Lay performers and guilds took over, making it more theatrical and popular.

o    Paved the way for Mystery and Miracle plays.

Types of Religious Drama

1. Mystery Plays

·         Definition: Dramatizations of biblical stories, from Creation to the Last Judgment.

·         "Mystery" from Latin ministerium meaning “occupation”—linked to guilds who sponsored the plays.

·         Structure: Often performed as cycles during festivals like Corpus Christi.

·         Language: Vernacular, accessible to common people.

·         Purpose: Didactic and devotional; to present salvation history.

2. Miracle Plays

·         Focus on lives of saints and miraculous events.

·         Often featured martyrdoms, healing, or interventions by saints.

·         Example: The Play of St. Nicholas (by Hilarius), and The Conversion of Saint Paul.

·         Less structured than mystery plays but equally popular.

Famous English Cycle Plays

Liturgical drama flourished into Cycle Plays—a series of plays performed sequentially to cover biblical history. These were typically produced by craft guilds in medieval towns.

1. York Cycle

·         Comprises 48 plays (surviving manuscript).

·         Dates from 14th–15th century.

·         Performed in York, during Corpus Christi festival.

·         Structure: Each play handled by a different guild.

·         Notable Plays:

o    The Fall of Lucifer

o    The Nativity

o    The Crucifixion

o    The Last Judgment

·         Tone: Reverent, theological, often complex in structure.

2. Wakefield Cycle (Towneley Plays)

·         Associated with Wakefield, Yorkshire.

·         Includes 32 plays, many of them sophisticated and vivid.

·         Known for the "Wakefield Master", an anonymous playwright known for:

o    Humor, satire, and verse experimentation.

o    Use of "Wakefield Stanza" (rhymed 13-line stanza: aaabababcdddc).

·         Notable Plays:

o    The Second Shepherds’ Play (a masterpiece of medieval drama blending comedy with Nativity theme).

o    Cain and Abel

3. Chester Cycle

·         Comprises 24 plays.

·         Dates from late 14th to early 15th century.

·         Performed in Chester during Corpus Christi.

·         Known for didactic tone and moral clarity.

·         Notable Plays:

o    The Fall of Man

o    Noah's Flood

o    The Harrowing of Hell

·         Focus on moral instruction and Christian doctrine.

4. Coventry Cycle

·         Famous for The Shearmen and Tailors’ Play.

·         Contains notable Nativity and Passion scenes.

·         Often studied alongside other cycles for comparative purposes.

Themes and Features

Feature

Description

Religious Didacticism

Taught Bible stories and Christian values to the common people.

Use of Vernacular

Shifted from Latin to English/French, increasing accessibility.

Guild Sponsorship

Each craft guild performed plays related to their profession (e.g., Shipwrights performed Noah's Ark).

Pageant Wagons

Movable stages used to present plays at multiple locations in the town.

Allegorical Elements

Combined biblical events with moral lessons; characters often represented abstract virtues or vices.

Combination of Sacred & Secular

Infused with comic interludes, local color, and folk traditions.

Significance of Liturgical and Cycle Drama in English Literature

·         Foundation of English Drama: Precursor to morality plays (like Everyman) and later Elizabethan drama (like Shakespeare).

·         Social and Theological Record: Offers insight into medieval worldview, cosmology, and cultural values.

·         Artistic Innovation: Developed early forms of plot structure, characterization, and staging.

·         UGC NET Perspective: Frequently appears under Middle English Literature, Drama, Theatre History, and Comparative Literature topics.

Important UGC NET Pointers

·         Know the difference between Mystery, Miracle, and Morality plays.

·         Recognize specific plays and their associated cycles.

·         Understand how guilds, vernacular use, and religious festivals shaped medieval drama.

·         Be aware of the Wakefield Master and his literary contributions.

·         Remember that Cycle Plays aimed to educate and entertain simultaneously.

Multiple Choice Questions

 Section A: Liturgical Drama (10 MCQs)

  1. Liturgical drama originated in which setting?
    A. Marketplace
    B. Church
    C. Public square
    D. Royal court
    Answer: B. Church
  2. The earliest form of liturgical drama was performed in which language?
    A. French
    B. German
    C. Latin
    D. English
    Answer: C. Latin
  3. Which of the following is a characteristic of liturgical drama?
    A. Secular themes
    B. Performed in vernacular
    C. Use of elaborate scenery
    D. Based on biblical stories and liturgy
    Answer: D. Based on biblical stories and liturgy
  4. The phrase "Quem Quaeritis" is associated with which genre?
    A. Morality play
    B. Miracle play
    C. Liturgical drama
    D. Mystery play
    Answer: C. Liturgical drama
  5. What does "Quem Quaeritis" mean?
    A. What is truth?
    B. Whom do you seek?
    C. Who is the Lord?
    D. Where are you going?
    Answer: B. Whom do you seek?
  6. Which festival originally featured the performance of early liturgical drama?
    A. Christmas
    B. Easter
    C. Pentecost
    D. Lent
    Answer: B. Easter
  7. What was the main purpose of liturgical drama in the Middle Ages?
    A. Entertainment
    B. Political commentary
    C. Religious instruction
    D. Cultural satire
    Answer: C. Religious instruction
  8. Which of the following best describes the movement of liturgical drama out of the church?
    A. Clerical reform
    B. Vernacularization and secularization
    C. Introduction of morality plays
    D. Loss of ecclesiastical control
    Answer: B. Vernacularization and secularization
  9. Which of the following is NOT a feature of liturgical drama?
    A. Sung dialogues
    B. Clergy as performers
    C. Performed during Mass
    D. Use of printed scripts
    Answer: D. Use of printed scripts
  10. Liturgical drama gradually evolved into which type of plays?
    A. Roman comedies
    B. Miracle and Mystery plays
    C. Interludes
    D. Tragedies
    Answer: B. Miracle and Mystery plays

 Section B: Types of Religious Drama (8 MCQs)

  1. Which of the following plays focuses on the lives and miracles of saints?
    A. Mystery plays
    B. Miracle plays
    C. Morality plays
    D. Interludes
    Answer: B. Miracle plays
  2. Which religious plays dramatize biblical stories from the Creation to the Last Judgment?
    A. Mystery plays
    B. Miracle plays
    C. Morality plays
    D. Interludes
    Answer: A. Mystery plays
  3. Morality plays differ from mystery plays in that they—
    A. Use biblical characters only
    B. Employ allegorical figures
    C. Are written in Latin
    D. Are acted by priests
    Answer: B. Employ allegorical figures
  4. Who is a common central character in morality plays?
    A. Everyman
    B. Judas
    C. Abraham
    D. Beowulf
    Answer: A. Everyman
  5. Which of the following is NOT a feature of morality plays?
    A. Characters represent virtues and vices
    B. Didactic message
    C. Based on saints’ lives
    D. Personification of abstract ideas
    Answer: C. Based on saints’ lives
  6. The vice character is mostly associated with—
    A. Miracle plays
    B. Mystery plays
    C. Morality plays
    D. Farce
    Answer: C. Morality plays
  7. Which type of religious drama is usually considered the earliest in the English tradition?
    A. Mystery
    B. Morality
    C. Miracle
    D. Liturgical
    Answer: D. Liturgical
  8. The focus of morality plays is mainly on—
    A. Religious ceremonies
    B. Biblical episodes
    C. Individual moral journey
    D. Lives of martyrs
    Answer: C. Individual moral journey

 Section C: Famous Cycle Plays (6 MCQs)

  1. Which of the following is a well-known cycle of mystery plays in England?
    A. Chester Cycle
    B. Marlowe Cycle
    C. Shakespeare Cycle
    D. Canterbury Cycle
    Answer: A. Chester Cycle
  2. The Wakefield Cycle is also known for—
    A. The Harrowing of Hell
    B. The Second Shepherds’ Play
    C. The Passion Play
    D. The Resurrection of Lazarus
    Answer: B. The Second Shepherds’ Play
  3. How many cycles of mystery plays are known to have existed in England?
    A. 2
    B. 3
    C. 4
    D. 5
    Answer: C. 4 (York, Chester, Wakefield, and N-Town)
  4. The York Cycle contains how many pageants?
    A. 24
    B. 48
    C. 56
    D. 72
    Answer: B. 48
  5. The cycle plays were performed during which festival?
    A. Lent
    B. Easter
    C. Corpus Christi
    D. Christmas
    Answer: C. Corpus Christi
  6. What is the major theme of most cycle plays?
    A. Chivalric romance
    B. Pagan rituals
    C. Salvation history from Creation to Last Judgment
    D. Satirical humour
    Answer: C. Salvation history from Creation to Last Judgment

 Section D: Previous Year UGC-NET MCQs (4 MCQs)

  1. UGC NET (June 2016)
    Which one of the following plays is an example of a mystery play?
    A. Everyman
    B. The Second Shepherds’ Play
    C. The Castle of Perseverance
    D. Doctor Faustus
    Answer: B. The Second Shepherds’ Play
  2. UGC NET (December 2018)
    Which of the following is NOT a medieval religious drama?
    A. Morality Play
    B. Mystery Play
    C. Interlude
    D. Miracle Play
    Answer: C. Interlude
  3. UGC NET (June 2019)
    The character “Everyman” is an example of which of the following?
    A. Allegorical figure
    B. Biblical prophet
    C. Martyr
    D. Angelic being
    Answer: A. Allegorical figure
  4. UGC NET (June 2023)
    The York and Chester Cycles are related to—
    A. Secular Renaissance drama
    B. Elizabethan revenge tragedy
    C. Liturgical calendar
    D. Mystery plays
    Answer: D. Mystery plays

UGC NET - Unit I - Drama

 

UNIT I DRAMA

EVOLUTION OF DRAMA

The Evolution of English Drama: From Sacred Rituals to Modern Stagecraft

The evolution of English drama reflects the broader currents of literary, cultural, and social transformation in English history. Spanning over a millennium, English drama evolved from its religious beginnings to embrace secular concerns, psychological depth, and complex theatrical forms. This article traces the major phases of this fascinating journey.

1. Beginnings: Religious Roots and Liturgical Drama (10th–14th Century)

English drama finds its earliest expressions in liturgical performances within churches, intended to teach Biblical stories to largely illiterate congregations. These performances, often in Latin, included "Quem Quaeritis" tropes and gradually grew into Mystery and Miracle plays. Eventually, they moved outside the church and were performed by guilds during religious festivals. Notable examples include the York, Wakefield, and Chester cycles, dramatizing Creation, the Passion, and Last Judgment.

2. Morality Plays and Allegory (14th–16th Century)

With the decline of mystery plays, morality plays took center stage. These allegorical dramas depicted the struggle between virtue and vice in the human soul. The most celebrated of these is Everyman, where abstract figures like Knowledge, Death, and Good Deeds engage with the titular character. This period marks the shift from collective religious instruction to individual moral reflection.

3. The Renaissance Explosion: Elizabethan and Jacobean Drama (1558–1642)

The English Renaissance heralded a golden age of drama, nurtured by the revival of classical learning and the patronage of monarchs like Elizabeth I and James I. Playwrights like Christopher Marlowe, Ben Jonson, and most significantly, William Shakespeare, transformed drama into a form of high art.

Shakespeare’s work bridged the genres of tragedy (Hamlet, Macbeth), comedy (Twelfth Night, As You Like It), and history (Henry IV, Richard III), exploring timeless themes of ambition, identity, power, love, and fate. The Globe Theatre became symbolic of this theatrical flourishing.

4. The Puritan Interregnum and Restoration (1642–1700)

In 1642, the Puritans closed theatres, deeming them immoral. For nearly two decades, professional drama was banned. With the Restoration of Charles II in 1660, drama revived with a newfound flamboyance. Restoration comedy was characterized by wit, sexual explicitness, and social satire, as seen in the plays of William Wycherley (The Country Wife) and William Congreve (The Way of the World). The period also marked the first appearance of women on stage, a significant departure from earlier eras.

5. The 18th Century: Sentimentalism and Satire

The 18th century saw a shift towards sentimental drama, portraying virtue and moral resolution, often appealing to bourgeois audiences. However, dramatists like Richard Sheridan (The School for Scandal) and Oliver Goldsmith (She Stoops to Conquer) rejected sentimentality in favor of restoring the comedy of manners, using satire to expose hypocrisy and social absurdities.

6. The 19th Century: Melodrama and Early Realism

The 19th century witnessed the dominance of melodrama, with exaggerated characters, sensational plots, and clear moral polarities. However, towards the century’s end, playwrights like George Bernard Shaw and Oscar Wilde began incorporating realism and intellectual wit. Shaw’s Pygmalion and Wilde’s The Importance of Being Earnest combined social critique with sophisticated dialogue, signaling a move towards modern dramatic sensibility.

7. The 20th Century: Modernism and Beyond

The 20th century saw English drama deeply influenced by modernist experimentation, existential themes, and political consciousness. T.S. Eliot introduced poetic drama with works like Murder in the Cathedral. Harold Pinter’s "comedy of menace" and use of silence redefined dramatic tension (The Birthday Party). Samuel Beckett’s Waiting for Godot, though Irish in origin, had a profound impact on English theatre.

Meanwhile, post-war dramatists like John Osborne (Look Back in Anger) gave voice to "Angry Young Men", depicting working-class disillusionment. In recent decades, figures such as Tom Stoppard, Caryl Churchill, and Sarah Kane have expanded the boundaries of theatre through intertextuality, feminist critique, and raw emotional honesty.

8. The Contemporary Scene

Contemporary English drama is pluralistic, encompassing traditional stagecraft, experimental theatre, political activism, and multicultural narratives. The rise of Black British playwrights (e.g., Kwame Kwei-Armah, Debbie Tucker Green), queer theatre, and digital performances has made the stage more inclusive and dynamic. Institutions like the National Theatre, Royal Court, and Fringe festivals continue to shape evolving theatrical expressions.

Conclusion

From its sacred roots to its global relevance today, English drama has continually reinvented itself in response to historical, social, and artistic forces. Each era has added new layers—of form, content, and ideology—making English drama not just a mirror of society, but also a shaper of human imagination and empathy.

 

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